In Macbeth’s second
soliloquy he is hallucinating. Shakespeare uses this as a tool to further
depict the detrimental physiological effect that the Weird Sisters and their prophecy
have had on Macbeth. The references to
sight and touch characterize his thoughts as visions rather than reality. When
Macbeth says “I have thee not, and yet I see thee still, art thou not, fatal
vision, sensible to feeling as to sight? Or art though but a dagger of the
mind” (2.1.46-50), Shakespeare helps the reader to understand that Macbeth is
hallucinating about the murder and how his conscience is having such a
difficult time with the witches fateful prediction. He speaks directly to the ‘fatal vision’ and
questions why it cannot be felt. This inability is see his reality is altering his
perception of morally correct thing to do. Another
reference to sight and touch is made in the lines, “Mine eyes are made the fools o th’ other
senses or else worth all the rest, I see the still, and, on thy blade and
dudgeon, gouts of blood” (2.1.56-58).
Macbeth’s ‘fool’ eyes see blood on the blade of the dagger that doesn’t
exist. He realizes that his eyes are
deceiving him as a direct result of his doubts and fears. Macbeth is losing control and he seems to
realize it. In the line, “Now o’re the
one-half world nature seems dead, and wicked dreams abuse the curtained sleep”
( 2.1.61-63), he suggests that his life has become meaningless and sleep
impossible, filled with bad dreams. The
use of ‘curtained sleep’ could have a double meaning; the curtained 4-poster
bed from Elizabethan times and also Shakespeare could possibly have used the
word curtained to refer to covering up the truth, supressing Macbeth’s thoughts
about the hideous deed that he is planning.
The nightmares wake him up from the lie he is trying to sell himself. Macbeth is falling apart.
Thursday, March 6, 2014
Wednesday, March 5, 2014
Close Reading Assignment 3
Shakespeare has
deliberately used personification in Macbeth’s soliloquy in act 1 scene 7, to
further portray the effect that the witches fortune has had on him, and how it
presents itself through his actions. During this entire soliloquy, Macbeth is
contemplating his desires to become King, due to the morality concerns of the
actions necessary to get there. During Macbeth’s soliloquy he proclaims that,
“This even-handed justice Commends th’ ingredience of our poisoned chalice to
our own lips” (1.7.9-11). Shakespeare
personifies his reference to justice, by suggesting that ‘justice’ will deliver
their fate. He implies that Justice is alive and will recognize any immoral
behavior and sinners will be punished accordingly. Justice is defined as morally correct
behaviour or treatment, which is the focus of the entire passage, yet the
personification makes it more dramatic. Throughout this soliloquy it is evident
that Macbeth is questioning the plan to murder Duncan. Macbeth’s ambition is becoming more evident and
in this passage he is trying to justify the murder saying that Duncan will
enjoy heaven and that he will be welcomed.
In the line “that his virtues will plead like angels, trumpet-tongued”
[1.7.19]. Shakespeare uses the simile ‘like angels’ to show just how virtuous
Duncan is, almost trying to convince himself that the King should be murdered
so that Heaven will benefit. He uses
another simile in the line “like a newborn babe striding the blast” to compare
the King to a child without any sins, depicting Duncan as innocent [1.7.21-22]. Macbeth’s dilemma becomes very obvious in
this passage because he talks about the Kings innocence and goodness and yet
still cannot seem to tame his ambition to be King himself, regardless of the
morality issues.
Monday, March 3, 2014
Close Reading Assignment 2
In Act 1 Scene 5
Lady Macbeth is finally introduced, and here in these short passages she delivers
a few soliloquys that help the audience and readers understand her character
and motives. In her second soliloquy she implies that her ambition is taking
over her decisions and is influencing her to sacrifice her civility and
humanity to achieve her deepest desires. This is shown through “Stop up th’
access and passage to remorse” (1.5.51). The remorse in this context means
compassion, thus implying that she is giving up her compassion to get what she
wants, which is power. A soliloquy can effectively portray a character’s true
personality, because they are alone, which allows the character to express
their deepest private yearnings. This
helps the reader better understand her character because it shows that she is
very ambitious, and will do anything to get what she wants, even control her
husband. When she says “Hie thee hither that I pour my spirits in thine ear and
chastise with the valour of my tongued” (1.5.27-30). The word spirits in this context, refers to her
power over Macbeth, which shows her character because it implies that she will
influence Macbeth to do things to get the crown through her manipulation. Also,
the word chastise in this context
means inflict punishment, which further depicts how she will use forceful means
of punishment to ensure that she achieves her goals, with the help of her husband.
This contributes to the understanding of the character Macbeth through showing
that he is easily persuaded by the woman he loves. Otherwise he is a very courageous and noble
man. This passage shows that Macbeth does not desire the fate of becoming King
as much as his wife, and that she is power driven. Overall, these passages
depict Lady Macbeth as a ruthless, manipulating, power hungry woman and Macbeth
as an easily influenced, kind-hearted sole, with his only ambition implanted in
his mind by his controlling, greedy, malevolent wife.
Sunday, March 2, 2014
Close Reading Assignment 1; 1.4.55-60
In this short passage from Macbeth,
Shakespeare uses various types of figurative language and motifs to portray
the theme. The motifs of darkness and light and blindness and sight contribute
deep meaning to this passage. The light represents
truth and sight knowledge, darkness dishonesty and blindness ignorance. Shakespeare uses this language to illustrate
Macbeth’s moral struggle. Ever since the three witches told Macbeth of his
prophecy of becoming King and the Thane of Cawdor, he has shown that he does
not like his fate, until now, when he realizes deep down that he truly desires
the power. This is shown through the
passage “The Prince of Cumberland! That is a step on which I must fall down or
else o’erleap; for in my way it lies” (1.4.55-57). This is the turning point in
Macbeth’s ambition where he starts to consider how his fate will play out in
his favor. Shakespeare uses the motif of
darkness and light to demonstrate the effect of this prophecy, “ Stars, hide
your fires! Let not light see my black and deep desires. The eye wink at the
hand yet let that be which the eye fears, when it is done to see” (1.4.57-60).
Shakespeare uses light in this passage to represent the truth in humanity and
uses the black to cover up what is the truth. So Macbeth is hiding important
things in his life to achieve his deepest desire, which is to become King. He implies that appearances and images are not
always as they seem or appear. This connects to Macbeth’s prophecy inferring
that he will cheat the truth and lie to achieve these deepest desires. Also the
eye represents that one can physically see, but is metaphorically blind to the
truth, which also connects to Macbeth’s attempt to disguise his ambition. This
passage reminds me of the influential politician during the Renaissance era,
Machiavelli. He is famous for this quote, “The end justifies the means” meaning
that anything you must do to achieve your goal is justifiable. Although this
may be a stretch for the position that Macbeth is in currently, I believe the
two connect because in this passage he proclaims that he will do anything to
get the Prince of Cumberland out of his path to the throne.
Monday, December 9, 2013
Invictus Poem
The poem Invictus by William Ernest Henley, reveals Ayn Rand’s philosophy of
individualism. Her philosophy, declared by “it regards man- everyman- as an
independent who possesses an inalienable right to his own life, a right derived
from his nature as a rational being. Individualism holds that a civilized
society can be achieved only on the basis of the recognition of rights- and
that a group, as such, has no rights other than the individual rights of its
members” (The Ayn Rand Lexicon, p.218). This philosophy connects to the quote
“My head is bloody but unbowed” (Henley 8), in the poem. This shows the power
of ‘self’, because even though negative circumstances have been suppressing
him, he has found the power within himself to keep his head up and keep going.
Another quote that portrays Rand’s philosophy is, “I am the master of my fate.
I am the captain of my soul” (Henley 15-16). This anaphora exemplifies individualism by telling the
reader that no matter how hard his life is, he is the only person that has
control over his actions and thoughts.
Monday, November 25, 2013
Lord of the Flies: chp 11-12 post
Prompt 10
Chapters eleven and twelve of “Lord of the
Flies” by William Golding, were gruesome and present the falling action and
resolution. The falling action
begins when Piggy, blinded by the theft of his glasses, summons the courage to
confront the ‘Tribe’ and convinces Ralph and the twins that it is their
option. Of course, for Piggy this
was a fateful decision. When Piggy,
who represented knowledge, is crushed by the bolder, and the conch, which
represented civility, destroyed, the last fragment of the society fell with
them.
I think my favorite part in the book,
though, is when the naval officer asks “Who’s boss here?” (201) and Ralph responds,
“I am”. Jack hides himself in the
background, realizing that the boys will not speak highly of his leadership
role.The very final paragraph of the novel where
Golding describes the naval officer turning away “to give them time to pull
themselves together” (202). It is evident that Ralph will realize civil decency
once more.
In regard to the prompt, I believe Golding
sums up the theme of the novel in the last few sentences when he writes, “Ralph
wept for the end of innocence, the darkness of man’s heart, and the fall
through the air of the true, wise friend called Piggy” (Golding 202). The
drastic change in the young boys becoming ruthless savages was rather chilling
and it does make me think of my own life and future. I remember days when my family would be playing in the yard,
or going to the beach or something very ordinary, but and I would come home at
night and squeal that that was the ‘best day ever!’ I haven’t felt that
innocence for sometime and fear that losing it has made me a more serious
person. Of course, we all must
grow up and innocence is lost, but if we have family and good friends and memories,
our heart will not grow dark.
Sunday, November 24, 2013
Lord of the Flies: Chp 9 and 10
Prompt 7
Chapters nine and ten of the “Lord of the
Flies” by William Golding, were very intriguing, and thrilling. I believe the
climax of the novel is described, although somewhat disguised, in chapter nine. I realize now that the climax began
to unfold when Simon is gleaning knowledge about the Beast from the Lord of the
Flies at the end of chapter eight. When the Lord if the Flies said, “Fancy thinking the Beast was
something you could kill!” (Golding 143) I was perplexed, but now it is now
evident to me that Golding is trying to demonstrate that the Beast is the
savagery that exists in human nature.
As chapter nine unfolds we see the savagery at its worst. The description of Simon discovering
that the Beast was not the dead man covered by the parachute was also difficult
to decipher, but upon looking back over this section I realized that this Beast
was not what the boys should fear, but the Beast within themselves. Once Simon realizes this he rushes to tell the
others of his breakthrough but his news is lost in the din of
thunder and the chant “Kill the
beast. Cut his throat. Spill his blood”(Golding 152). This is
certainly the climax, the thunder cracks and the boys are in a turbulent frenzy
when Simon stumbles into the melee and is savagely beaten to death. The death of Simon affects the
remainder of the novel because the boys are changed forever knowing that they
have killed a friend. It confused me how they could not have
realized it was Simon, however, the boys seemed to be feeding off each others
thirst for blood and were caught up in the moment. I believe this could be described as a ‘mob mentality’, where
one person in the group initiated the act and everyone else followed. The
significance of killing Simon is that he was the symbol of purity, a figure of
Christ and nature, and when they kill him they are killing off all that is good
in their society.
Another part of the novel that intrigued me was “Power lay in
the brown swell of his forearms: authority sat on his shoulder and chattered in
his ear like an ape“ (Golding 150). This perplexed me because at the beginning of
the novel, it was Ralph who everyone wanted as leader and now they have shifted
their allegiance to Jack. It may
be that the savagery has led to this power change as they realize that Ralph
will likely try to tame the barbarism and bring back the civility. The civilization rapidly went down hill
when Jack assumed power, and now we see that Jack is intent on keeping the
power as he has taken to beating and punishing Wilfred for no reason. This would instil fear in the others
assuring him control by domination.
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