Throughout the
entirety of act 2, scene 2, Shakespeare makes several references to sleep,
utilizing metaphor to enhance the meaning wherein Macbeth yields to his
ambition and follows through with the murder of Duncan. The first reference to sleep is made by Lady
Macbeth in describing how she drugged the king’s groomsmen so they would sleep
through the murder. Sleep is used here
to depict the ignorance of those who are supposed to protect Duncan. However, Macbeth’s references to sleep have a
deeper meaning. When Lady Macbeth and
Macbeth are discussing the murder, Macbeth relates how he heard a voice cry
out, “Sleep no more! Macbeth murders sleep! – the innocent sleep , that knits
up the raveled sleeve of care, the death of each days life, sore labor’s bath,
balm of hurt minds, great nature’s second course, chief nourisher in life’s
feast” (2.2.47-51). The line ‘the
innocent sleep’, is the explanation of the meaning behind these lines. Macbeth realizes that in his guilt that he
will never have another night of peaceful sleep. Sleep, that is so important for a content and
healthy life, will never again come to Macbeth. The ‘innocent’ also relates to Duncan, as he
is the innocent victim as he sleeps soundly while Macbeth terrorizes his
peaceful slumber with a deathly bludgeoning. The scene depicts the moral horror
that Macbeth faces for the remainder of his life. Another reference to the sleep by the voice
is, “Glamis hath murdered sleep, and therefore Cawdor shall sleep no more.
Macbeth shall sleep no more” (2.2.54-57).
Macbeth’s conscience is telling him that he has sentenced his entire
realm to a sleepless future because of the threat posed by sleep. The scene also has several references to hand
washing which, for Lady Macbeth, in the lines “Go and get some water and wash
this filthy witness from your hand” (2.260), means a simple cleansing of the
evidence of the murder to hide their guilt.
However, for Macbeth in the lines, “With all great Neptune’s ocean wash
this blood clean from my hand? No, this my hand will rather the multitudinous
seas incarnadine, making the green one red” (2.2.78-81) he tells that all of
the water in the ocean couldn’t wash the remorse from his hands, that the blood
(his guilt) would turn the oceans red.
Sunday, March 9, 2014
Thursday, March 6, 2014
Close Reading Assignment 4
In Macbeth’s second
soliloquy he is hallucinating. Shakespeare uses this as a tool to further
depict the detrimental physiological effect that the Weird Sisters and their prophecy
have had on Macbeth. The references to
sight and touch characterize his thoughts as visions rather than reality. When
Macbeth says “I have thee not, and yet I see thee still, art thou not, fatal
vision, sensible to feeling as to sight? Or art though but a dagger of the
mind” (2.1.46-50), Shakespeare helps the reader to understand that Macbeth is
hallucinating about the murder and how his conscience is having such a
difficult time with the witches fateful prediction. He speaks directly to the ‘fatal vision’ and
questions why it cannot be felt. This inability is see his reality is altering his
perception of morally correct thing to do. Another
reference to sight and touch is made in the lines, “Mine eyes are made the fools o th’ other
senses or else worth all the rest, I see the still, and, on thy blade and
dudgeon, gouts of blood” (2.1.56-58).
Macbeth’s ‘fool’ eyes see blood on the blade of the dagger that doesn’t
exist. He realizes that his eyes are
deceiving him as a direct result of his doubts and fears. Macbeth is losing control and he seems to
realize it. In the line, “Now o’re the
one-half world nature seems dead, and wicked dreams abuse the curtained sleep”
( 2.1.61-63), he suggests that his life has become meaningless and sleep
impossible, filled with bad dreams. The
use of ‘curtained sleep’ could have a double meaning; the curtained 4-poster
bed from Elizabethan times and also Shakespeare could possibly have used the
word curtained to refer to covering up the truth, supressing Macbeth’s thoughts
about the hideous deed that he is planning.
The nightmares wake him up from the lie he is trying to sell himself. Macbeth is falling apart.
Wednesday, March 5, 2014
Close Reading Assignment 3
Shakespeare has
deliberately used personification in Macbeth’s soliloquy in act 1 scene 7, to
further portray the effect that the witches fortune has had on him, and how it
presents itself through his actions. During this entire soliloquy, Macbeth is
contemplating his desires to become King, due to the morality concerns of the
actions necessary to get there. During Macbeth’s soliloquy he proclaims that,
“This even-handed justice Commends th’ ingredience of our poisoned chalice to
our own lips” (1.7.9-11). Shakespeare
personifies his reference to justice, by suggesting that ‘justice’ will deliver
their fate. He implies that Justice is alive and will recognize any immoral
behavior and sinners will be punished accordingly. Justice is defined as morally correct
behaviour or treatment, which is the focus of the entire passage, yet the
personification makes it more dramatic. Throughout this soliloquy it is evident
that Macbeth is questioning the plan to murder Duncan. Macbeth’s ambition is becoming more evident and
in this passage he is trying to justify the murder saying that Duncan will
enjoy heaven and that he will be welcomed.
In the line “that his virtues will plead like angels, trumpet-tongued”
[1.7.19]. Shakespeare uses the simile ‘like angels’ to show just how virtuous
Duncan is, almost trying to convince himself that the King should be murdered
so that Heaven will benefit. He uses
another simile in the line “like a newborn babe striding the blast” to compare
the King to a child without any sins, depicting Duncan as innocent [1.7.21-22]. Macbeth’s dilemma becomes very obvious in
this passage because he talks about the Kings innocence and goodness and yet
still cannot seem to tame his ambition to be King himself, regardless of the
morality issues.
Monday, March 3, 2014
Close Reading Assignment 2
In Act 1 Scene 5
Lady Macbeth is finally introduced, and here in these short passages she delivers
a few soliloquys that help the audience and readers understand her character
and motives. In her second soliloquy she implies that her ambition is taking
over her decisions and is influencing her to sacrifice her civility and
humanity to achieve her deepest desires. This is shown through “Stop up th’
access and passage to remorse” (1.5.51). The remorse in this context means
compassion, thus implying that she is giving up her compassion to get what she
wants, which is power. A soliloquy can effectively portray a character’s true
personality, because they are alone, which allows the character to express
their deepest private yearnings. This
helps the reader better understand her character because it shows that she is
very ambitious, and will do anything to get what she wants, even control her
husband. When she says “Hie thee hither that I pour my spirits in thine ear and
chastise with the valour of my tongued” (1.5.27-30). The word spirits in this context, refers to her
power over Macbeth, which shows her character because it implies that she will
influence Macbeth to do things to get the crown through her manipulation. Also,
the word chastise in this context
means inflict punishment, which further depicts how she will use forceful means
of punishment to ensure that she achieves her goals, with the help of her husband.
This contributes to the understanding of the character Macbeth through showing
that he is easily persuaded by the woman he loves. Otherwise he is a very courageous and noble
man. This passage shows that Macbeth does not desire the fate of becoming King
as much as his wife, and that she is power driven. Overall, these passages
depict Lady Macbeth as a ruthless, manipulating, power hungry woman and Macbeth
as an easily influenced, kind-hearted sole, with his only ambition implanted in
his mind by his controlling, greedy, malevolent wife.
Sunday, March 2, 2014
Close Reading Assignment 1; 1.4.55-60
In this short passage from Macbeth,
Shakespeare uses various types of figurative language and motifs to portray
the theme. The motifs of darkness and light and blindness and sight contribute
deep meaning to this passage. The light represents
truth and sight knowledge, darkness dishonesty and blindness ignorance. Shakespeare uses this language to illustrate
Macbeth’s moral struggle. Ever since the three witches told Macbeth of his
prophecy of becoming King and the Thane of Cawdor, he has shown that he does
not like his fate, until now, when he realizes deep down that he truly desires
the power. This is shown through the
passage “The Prince of Cumberland! That is a step on which I must fall down or
else o’erleap; for in my way it lies” (1.4.55-57). This is the turning point in
Macbeth’s ambition where he starts to consider how his fate will play out in
his favor. Shakespeare uses the motif of
darkness and light to demonstrate the effect of this prophecy, “ Stars, hide
your fires! Let not light see my black and deep desires. The eye wink at the
hand yet let that be which the eye fears, when it is done to see” (1.4.57-60).
Shakespeare uses light in this passage to represent the truth in humanity and
uses the black to cover up what is the truth. So Macbeth is hiding important
things in his life to achieve his deepest desire, which is to become King. He implies that appearances and images are not
always as they seem or appear. This connects to Macbeth’s prophecy inferring
that he will cheat the truth and lie to achieve these deepest desires. Also the
eye represents that one can physically see, but is metaphorically blind to the
truth, which also connects to Macbeth’s attempt to disguise his ambition. This
passage reminds me of the influential politician during the Renaissance era,
Machiavelli. He is famous for this quote, “The end justifies the means” meaning
that anything you must do to achieve your goal is justifiable. Although this
may be a stretch for the position that Macbeth is in currently, I believe the
two connect because in this passage he proclaims that he will do anything to
get the Prince of Cumberland out of his path to the throne.
Monday, December 9, 2013
Invictus Poem
The poem Invictus by William Ernest Henley, reveals Ayn Rand’s philosophy of
individualism. Her philosophy, declared by “it regards man- everyman- as an
independent who possesses an inalienable right to his own life, a right derived
from his nature as a rational being. Individualism holds that a civilized
society can be achieved only on the basis of the recognition of rights- and
that a group, as such, has no rights other than the individual rights of its
members” (The Ayn Rand Lexicon, p.218). This philosophy connects to the quote
“My head is bloody but unbowed” (Henley 8), in the poem. This shows the power
of ‘self’, because even though negative circumstances have been suppressing
him, he has found the power within himself to keep his head up and keep going.
Another quote that portrays Rand’s philosophy is, “I am the master of my fate.
I am the captain of my soul” (Henley 15-16). This anaphora exemplifies individualism by telling the
reader that no matter how hard his life is, he is the only person that has
control over his actions and thoughts.
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