In Macbeth’s second
soliloquy he is hallucinating. Shakespeare uses this as a tool to further
depict the detrimental physiological effect that the Weird Sisters and their prophecy
have had on Macbeth. The references to
sight and touch characterize his thoughts as visions rather than reality. When
Macbeth says “I have thee not, and yet I see thee still, art thou not, fatal
vision, sensible to feeling as to sight? Or art though but a dagger of the
mind” (2.1.46-50), Shakespeare helps the reader to understand that Macbeth is
hallucinating about the murder and how his conscience is having such a
difficult time with the witches fateful prediction. He speaks directly to the ‘fatal vision’ and
questions why it cannot be felt. This inability is see his reality is altering his
perception of morally correct thing to do. Another
reference to sight and touch is made in the lines, “Mine eyes are made the fools o th’ other
senses or else worth all the rest, I see the still, and, on thy blade and
dudgeon, gouts of blood” (2.1.56-58).
Macbeth’s ‘fool’ eyes see blood on the blade of the dagger that doesn’t
exist. He realizes that his eyes are
deceiving him as a direct result of his doubts and fears. Macbeth is losing control and he seems to
realize it. In the line, “Now o’re the
one-half world nature seems dead, and wicked dreams abuse the curtained sleep”
( 2.1.61-63), he suggests that his life has become meaningless and sleep
impossible, filled with bad dreams. The
use of ‘curtained sleep’ could have a double meaning; the curtained 4-poster
bed from Elizabethan times and also Shakespeare could possibly have used the
word curtained to refer to covering up the truth, supressing Macbeth’s thoughts
about the hideous deed that he is planning.
The nightmares wake him up from the lie he is trying to sell himself. Macbeth is falling apart.
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